Titanic Part 2
Join us as we discover the real history behind the sinking of the Titanic. Is James Cameron’s epic Hollywood blockbuster Titanic accurate to the true story? In the final part of their Titanic series, Gaz and Mel relive the unsinkable ship’s final hours, discover the facts behind the movie, and learn about real life figures Molly Brown, Bruce Ismay, Thomas Andrews, and Captain Smith. Was there a way for Rose and Jack to both survive? What is James Cameron’s one regret? And can the movie still be considered a classic? Let’s go back to 1997 to revisit Titanic and put its history and box office success into perspective.
When the Iranian government decided the endeavour of making The Seed of the Scared Fig was worthy of sentencing it’s director, Mohammad Rasoulof, to 8 years in prison, the irony was that this was the kind of endorsement that makes the world take notice.
If there is an indulgence to Walter Salles’ I’m Still Here, it’s an indulgence of an emotional kind. Salles channels such intense love and empathy towards his character’s, he simply cannot bear to part with them until he must.
When the Palestinian militants Black September took Israeli hostages at the 1972 Munich Olympics, the ABC studio that covered the event was close enough to hear the gunfire. By checking maps and directories, dialling rotary phones, bathing 16mm film, translating German radio, they managed to broadcast one of television’s most tragic stories as it happened.
Since James Mangold’s conventional and sincere Walk the Line graced cinemas in 2005 and the appropriately insincere spoof of the same, Walk Hard: The Dewey Cox Story, released 2 years later, it’s a wonder Mangold still has the confidence in 2025 to serve the same biographical mush in his new Bob Dylan picture.
This immigrant drama about the fictitious Hungarian architect László Tóth has the impression of real history burnt into its bones. Tóth’s story feels like a comes from a biographical tome by someone like Robert Caro, such is the richness of this type of seldom seen literary-cinema.
No Other Land proves the emotional power of visual evidence – of shaking phones running from gunfire, of cameras filming the discriminate destruction of small farming communities. It’s one thing to fight against the forces that mean you harm, but filmmakers Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor show us the heartless consequences of occupation upon those least equipped to fight against it.
The story of Lee Miller’s unbridled need to seek the truth through photography may be conventional in the spectrum of other biographies, but the substantive weight of its truth-seeking convictions provide it an importance we seem to have lost sight of, one that stares toward the specter of death.
It’s another occasion to celebrate 86 year-old Ridley Scott’s world building prowess. Again he builds us a very masculine, very brawny Rome with a bigger budget, better technology and a script that’s more summertime trash than awards prestige.
Your interest in this scrappy biopic of a transactional friendship rests solely on how much interest you still hold in uncovering the faint character building moments of Donald Trump.