Titanic Part 2
Join us as we discover the real history behind the sinking of the Titanic. Is James Cameron’s epic Hollywood blockbuster Titanic accurate to the true story? In the final part of their Titanic series, Gaz and Mel relive the unsinkable ship’s final hours, discover the facts behind the movie, and learn about real life figures Molly Brown, Bruce Ismay, Thomas Andrews, and Captain Smith. Was there a way for Rose and Jack to both survive? What is James Cameron’s one regret? And can the movie still be considered a classic? Let’s go back to 1997 to revisit Titanic and put its history and box office success into perspective.
The story of Lee Miller’s unbridled need to seek the truth through photography may be conventional in the spectrum of other biographies, but the substantive weight of its truth-seeking convictions provide it an importance we seem to have lost sight of, one that stares toward the specter of death.
It’s another occasion to celebrate 86 year-old Ridley Scott’s world building prowess. Again he builds us a very masculine, very brawny Rome with a bigger budget, better technology and a script that’s more summertime trash than awards prestige.
Your interest in this scrappy biopic of a transactional friendship rests solely on how much interest you still hold in uncovering the faint character building moments of Donald Trump.
For anyone hellbent on defending Joker (2019)’s acclaimed existence, I propose a thought experiment: why does Todd Phillips feel the need to spend $200 million on a movie refuting the morality of the first movie if the first movie did nothing wrong?
It’s about corruptible power, the building of a city, about supernaturally controlling time. If that sounds fascinating, I can assure you the film works very hard to extinguish all excitement.
Coralie Fargeat’s The Substance is the type of viewing experience you need to recover from. It’s a ruthless, intense, pummelling journey into the body-fluid ridden depths of image based beauty standards and their effect on women.
Tim Burton’s fine career has two consistent themes: he’s a visionary and he’s often a poor judge of storytelling.
With it’s mischievous voice over, its smash cuts, its copious use of cocaine and ketamine, it’s a punkish musical biopic laced with the hedonism of being young, male, and continuously high.
If her previous work was a Mamma Mia-esque holiday romance movie, the type you need on a particularly hard day, then Iris et les hommes leans into more sexually provocative material, something closer to Pedro Almodóvar’s morally ambiguous sex-comedies.