Mel and Gaz critique the true history behind the 2024 Netflix hit Scoop, the compelling story of BBC Newsnight's infamous Prince Andrew interview by Emily Maitlis. We talk about how the real Sam McAlister played her pivtol role, discuss the relationship between Jeffery Epstein and Prince Andrew and the reasons behind how their crimes remained covered up for so long.
Mel and Gaz critique the true history behind the 2022 film She Said, the compelling story of how NYT reporters Jodi Kantor and Megan Twohey investigated the sexual abuse and misconduct of film producer Harvey Weinstein. We talk about the brave women who inspired the worldwide #metoo movement, discuss the system of enablers that allowed Weinstein to stay in power, and provide insight into the real people.
Twister-fans, it's time to celebrate. Gaz and Mel review one of the biggest blockbusters of the summer, the sequel to the 1996 disaster classic, Twisters. Yes, there are tornadoes, there are explosions, and there's Glen Powell in a tight white t-shirt, but is the movie any good? Mel speaks to her deep love for the original movie. We dive in to talk performances, plot, and gender roles. Does it create a storm or is it just hot air?
Mel and Gaz have watched the Russell Crowe exorcism movie The Exorcism so you don't have to. Really - you don't have to. Let our review do the work for you. Remarkably it is also entirely unrelated to last year's Russell Crowe exorcism movie. But Is it any good, or is it The Worst Movie of the Year?
Your interest in this scrappy biopic of a transactional friendship rests solely on how much interest you still hold in uncovering the faint character building moments of Donald Trump.
For anyone hellbent on defending Joker (2019)’s acclaimed existence, I propose a thought experiment: why does Todd Phillips feel the need to spend $200 million on a movie refuting the morality of the first movie if the first movie did nothing wrong?
It’s about corruptible power, the building of a city, about supernaturally controlling time. If that sounds fascinating, I can assure you the film works very hard to extinguish all excitement.
Coralie Fargeat’s The Substance is the type of viewing experience you need to recover from. It’s a ruthless, intense, pummelling journey into the body-fluid ridden depths of image based beauty standards and their effect on women.
Tim Burton’s fine career has two consistent themes: he’s a visionary and he’s often a poor judge of storytelling.
